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パール・アダムスアーティスト 加藤訓子さん1月公演のお知らせ
加藤 訓子 バッハを弾く
2024年01月28日[日]
木のぬくもりに包まれて味わう、
J.S.バッハのマリンバコンサート
日時|2024(令和6)年1月28日(日)14:00開演(13:30開演)
会場|窪川四万十会館(TEL.0880-22-4777)
〒786-0011 高知県高岡郡 四万十町香月が丘8-102
料金(全席自由・税込)|
一般 前売:2,000円/当日:2,500円
学生 前売:1,000円/当日:1,500円
*車いすをご利用のお客様や補助犬を伴う観劇スペースをご希望のお客様は、チケットのご予約をお電話にて承ります。高知県立美術館(℡ 088-866-8000)までお問い合わせください。
*未就学児はご入場いただけません
*身体障害者手帳・療育手帳・精神障害者保健福祉手帳・戦傷病者手帳・被爆者健康手帳所持者とその介護者(1名)は3割引です。割引料金 一般前売券1,400円(一般当日券1,750円)/学生前売券700円(学生当日券1,050円)※ローソンチケットは割引対象外。
前売券発売所|12月中旬発売予定
高知県立美術館ミュージアムショップ TEL.088-866-7653
金高堂書店本店
窪川四万十会館 TEL.0880-22-4777 オンラインフォーム
オーパス本店1F TEL.088-824-1853
オーパス本店2F TEL.088-824-1858
イオンモール高知店 TEL.088-826-7633
オーパスクラブ TEL.088-802-2555
ローソンチケット【Lコード:63098】https://l-tike.com/order/?gLcode=63098 ※ローソンチケットのみ県外店舗でも販売します。
お問い合わせ|
高知県立美術館 TEL.088-866-8000
窪川四万十会館 TEL.0880-22-4777
主催|高知県立美術館(公益財団法人高知県文化財団)、公益財団法人四万十公社、公益社団法人全国公立文化施設協会
助成|文化庁文化芸術振興費補助金(統括団体による文化芸術需要回復・地域活性化事業(アートキャラバン2)| 独立行政法人日本芸術文化振興会
後援|高知新聞社、RKC高知放送、KUTVテレビ高知、エフエム高知、KSSさんさんテレビ、KCB高知ケーブルテレビ、高知シティFM放送
協力|楽器堂、高知楽器
出演 加藤訓子
プログラム
BACH Solo Works For Marimba
無伴奏チェロ組曲1・3・5番より
無伴奏ヴァイオリンソナタ1・2・3番より
無伴奏ヴァイオリンのためのパルティータから「シャコンヌ」
誰もが一度は耳にしたJ.S.バッハの名曲を、マリンバのソロでお届けします。
加藤訓子が2018年にリリースした『J.S.バッハ:マリンバのための無伴奏作品集』は、その年最も購入されたクラシック音楽CDとして第10回CDショップ大賞2018クラシック賞を受賞しました。素朴で柔らかなマリンバの音色は、耳心地がよいだけでなくどこか懐かしさを感じさせます。
冬のひととき、大切な人とホールで木の奏でる“あの曲”に心を馳せてみませんか。
皆様この機会に是非お誘い合わせの上、足をお運びください!
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Electronic drums have been evolving in a daily basis. Its completeness has no difference between the acoustic drums. But in other hand, electronic drum’s usage in the live performance is very low surprisingly. The number of usages significantly differs as the size of the stage gets larger. At this point, the electronic drums are surely positioned at the “sub” of the acoustic drums. The bands which have succeeded in Japan aren’t so many. The Japanese band “LUNA SEA” is one of the succeeded bands in Japan, and its drummer SHINYA has done a live performance in front of over 30,000 audience. The interesting fact about this live is that he used “electronic drums” throughout a whole stage. 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